Issue 10.4 Information
This issue of Mosaic contains the following:
General Issue
This issue of Mosaic includes essays that examine the relations between sight, sound, and letters in Samuel Beckett’s How it is; Percy Bysshe Shelly’s poetry; Malcolm Lowry’s Caustic and Dark as the Grave Wherein my Friend is Laid”; The Black Prince”; and ancient and modern hydrodynamics in James Thomson’s “Autumn.”
13 essays
,
168 pages
,
$15.00 CAD
This issue of Mosaic includes essays that examine the relations between sight, sound, and letters in Samuel Beckett’s How it is; Percy Bysshe Shelly’s poetry; Malcolm Lowry’s Caustic and Dark as the Grave Wherein my Friend is Laid”; The Black Prince”; and ancient and modern hydrodynamics in James Thomson’s “Autumn.”
The Process of Imaginative Creation in Samuel Beckett's How It IsAlice and Kenneth Hamilton |
The "Little Man" in ParadiseSoloman Lipp |
Revolution and the Intellectual: Büchner's Danton and Koestler's RubashovHeinz Wetzel |
The Cult of the Holy Blood in Late Medieval GermanyKarl A. Zaenker |
Lecture Idéologique de NanaChantal Bertrand Jennings |
The Right Side of Despair: Lowry's Comic Spirit in Lunar Caustic and Dark as the Grave Wherein my Friend is LaidBeverly Rasporich |
Shelley's Bridge to Maturity: From "Alastor" to "Mount Blanc"Lloyd Abbey |
Jane Eyre and the World of FaeryRobert K. Martin |
The Vast Eternal Springs: Ancient and Modern Hydrodynamics in Thomson's "Autumn"Thomas A. Reisner |
Catullus and the Iambi of CallimachusPhyllis Young Forsyth |
The "Theatre Letter" of Archduchess Maria Magdalena: A Report on the Activities of the English Comedians in Graz, Austria, in 1608Orlene Murad |
Good and the Gods of The Black PrinceJune Sturrock |
"These Contraries Such Unity do Hold": Structure in The Rape of LucreceJerome A. Kramer and Judith Kaminsky |