This general issue features essays by Phillip E. Wegner, whose argument for “fixing the intolerable present” turns on science fiction, and specifically the film adaptation of Uncanny X-Men (1980), X-Men: Days of Future Past (2014); Jill Marsden, who brings us into proximity with irreducibly singular moments in Walt Whitman’s “Song of Myself”; and Fergal Gaynor, who examines the performative dimension to breathing in Samuel Beckett’s How It Is.
Issue 53.3, 9 essays, 176 pages, $24.95 CAD
This special issue, guest edited by Nicole Anderson and H. Peter Steeves, brings together eleven essays and an introduction that examine “the many resonances at work in the notion of a ‘political animal’” (Anderson and Steeves 2).
Issue 53.2, 12 essays, 192 pages, $24.95 CAD
This general issue features the winner and runner-up of the Mosaic Emerging Scholar Essay Prize, as well as essays on Elizabeth Bishop’s “At the Fishhouses,” biophilia and the poetry of Thomas Lux, domestic help in contemporary French fiction, and questions of naming in Michael Ondaatje’s Warlight. On its cover, the issue features the art of Haegue Yang.
Issue 53.1, 9 essays, 176 pages, $24.95 CAD
This general issue features essays on rhetoric and resistance, language and translation, tolerance, Ruth Ozeki’s A Tale for the Time Being, resilience, relationality, Rancière and Derrida’s textual relationship, and two essays on Hamlet—one which explores Hamlet in relation to Freud and self-authorship, and the other which posits tragic foundationalism as Hamlet’s hamartia.
Issue 52.4, 9 essays, 184 pages, $24.95 CAD
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