Issue 10.4
Overview
General Issue
Published: July 1977
See the issue summary and contents below.
13 essays, totalling 168 pages
$15.00 CAD
This issue of Mosaic includes essays that examine the relations between sight, sound, and letters in Samuel Beckett’s How it is; Percy Bysshe Shelly’s poetry; Malcolm Lowry’s Caustic and Dark as the Grave Wherein my Friend is Laid”; The Black Prince”; and ancient and modern hydrodynamics in James Thomson’s “Autumn.”
The Process of Imaginative Creation in Samuel Beckett's How It IsAlice and Kenneth Hamilton | |
The "Little Man" in ParadiseSoloman Lipp | |
Revolution and the Intellectual: Büchner's Danton and Koestler's RubashovHeinz Wetzel | |
The Cult of the Holy Blood in Late Medieval GermanyKarl A. Zaenker | |
Lecture Idéologique de NanaChantal Bertrand Jennings | |
The Right Side of Despair: Lowry's Comic Spirit in Lunar Caustic and Dark as the Grave Wherein my Friend is LaidBeverly Rasporich | |
Shelley's Bridge to Maturity: From "Alastor" to "Mount Blanc"Lloyd Abbey | |
Jane Eyre and the World of FaeryRobert K. Martin | |
The Vast Eternal Springs: Ancient and Modern Hydrodynamics in Thomson's "Autumn"Thomas A. Reisner | |
Catullus and the Iambi of CallimachusPhyllis Young Forsyth | |
The "Theatre Letter" of Archduchess Maria Magdalena: A Report on the Activities of the English Comedians in Graz, Austria, in 1608Orlene Murad | |
Good and the Gods of The Black PrinceJune Sturrock | |
"These Contraries Such Unity do Hold": Structure in The Rape of LucreceJerome A. Kramer and Judith Kaminsky |