Fifty years after the publication of James Joyce’s Ulysses and T.S. Eliot’s The Waste Land, Mosaic offers a variety of new critical perspectives on both texts. Authors herein discuss the influence of psychoanalysis on Ulysses and Joyce’s use of comedy. The issue also includes series of original woodcuts and notes by Julien Alberts. Essays on The Waste Land provide a detailed analysis of the construction of the physical text, the alienated artist as the métoikos, and its form as a “work in progress.” The issue also includes two essays on Eliot after The Waste Land, including one on the “The Four Quartets.”